Former tennis star Tony Wendice (Ray Milland) discovers that his wealthy wife Margot Wendice (Grace Kelly) has been having an affair with the American crime writer Mark Halliday (Robert Cummings). Rather than accepting the situation or confronting the pair, Tony begins plotting an elaborate murder scheme, using an old acquaintance to carry out the murder itself. An extremely stylish and highly entertaining crime thriller that makes excellent use of its straightforward premise – strongly recommended.
Director: Alfred Hitchcock
Writers: Frederick Knott
Starring: Ray Milland, Grace Kelly, Robert Cummings, John Williams, Anthony Dawson
Directed by Alfred Hitchcock and released in 1954, Dial M for Murder is based on the stage play of the same name, written by Frederick Knott, who also provided the screenplay for the cinematic adaptation. Despite being over seventy years old, the film remains a well-regarded example of Alfred Hitchcock’s finest work, alongside Rear Window (1954), Vertigo (1958) and Psycho (1960). Dial M for Murder is well known for its intelligent plot, strong dialogue and solid acting performances, and it’s also worth noting that much of the story takes place entirely within a single location, making the most of a relatively confined setting.
One of the biggest strengths of Dial M for Murder would have to be its overall presentation. As touched upon, a large majority of the film takes place within a single setting, a setting that is beautifully crafted by the filmmakers. The location features classic and traditional interiors, costumes and overall production design, helping to provide an authentically stylish viewing experience. The dialogue also complements the visuals, with the conversations being charming, intelligent, sharp and overall, very well delivered throughout the one-hundred and five-minute runtime.
With that said, the pacing can feel a little slow at times, particularly during the middle portion of the flick when the initial intrigue and suspense begin to wear off slightly. With the story depending so heavily on its central plot, there are moments that could have benefited from a little more eventfulness and urgency. However, these moments are relatively few and far between, with the picture eventually picking up pace once again towards the conclusion.
In terms of the cast, Ray Milland delivers a strong performance as Tony Wendice, providing the picture with a calculating and somewhat unlikeable central character. Grace Kelly is equally impressive as Margot Wendice, while Robert Cummings provides solid support as Mark Halliday. John Williams is another notable presence as Chief Inspector Hubbard. The relatively small cast works well, allowing the dialogue and individual performances to take centre stage.
All in all, Dial M for Murder is a highly enjoyable crime thriller that’s easy-on-the-eye and features some very elegant dialogue. Although the pacing becomes a little slow in patches, the picture manages to regain momentum as it approaches its conclusion and deliver a thoroughly enjoyable final act. Well worth a watch for any fans of classic cinema.
“Ever been to Wimbledon?”
Tony Wendice – Dial M for Murder
